Kelly Clarkson defends American Idol
Former American idol winner Kelly Clarkson has hit out at Taylor Swift’s label boss Scott Borchetta after he attacked AI artists.
Responding to claims that Taylor Swift’s Grammy performance was off-key, Scott Borchetta called her “the voice of this generation.” He stated further, “This is not ‘American Idol’. This is not a competition of getting up and seeing who can sing the highest note. This is about a true artist and writer and communicator. It’s not about that technically perfect performance.”
Kelly Clarkson responded to Borchetta’s comments on her personal blog saying:
“I understand defending your artist obviously because I have done the same in the past for artists I like, including Taylor, so you might see why it’s upsetting to read you attacking ‘American Idol’ for producing simply vocalists that hit ‘the high notes. Thank you for that ‘Captain Obvious’ sense of humor because you know what, we not only hit the high notes, you forgot to mention we generally hit the ‘right’ notes as well.”
“Every artist has a bad performance or two and that is understandable, but throwing blame will not make the situation at hand any better. I have been criticized left and right for having shaky performances before (and they were shaky) and what my manager or label executives say to me and the public is ‘I’ll kick butt next time’ or ‘every performance isn’t going to be perfect’.”
“I bring this up because you should take a lesson from these people and instead of lashing out at other artists (that in your ‘humble’ opinion lack true artistry), you should simply take a breath and realize that sometimes things won’t go according to plan or work out and that’s okay.”
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Realitytv talent shows have just as much flak in Britain as they do in America. That is heart warming. There is still hope for the real artist who makes it by the long and winding road without everything being on a plate over a few short months.
I must admit though I am most disappointed in what
American record companies have produced over the last 20 to 30 years in the real world of pop music and I’m also seriously disappointed with what Sony and BMG have done with past winners from British versions of reality TV shows. Our wanabe artists have been turned into quasi American sex industry workers by the looks of it and dance or street dance has come to mean more than the quality of voice or for that matter the quality of song.